Monday, February 22, 2010

The most exciting thing about the show, for me, was her use of cut up kiln shelves for these tiles. These may have been some type of industrial-grade shelf, about three inches thick, which gave the feeling of a painting on stretcher bars. The drawing is all in a fairly charged cobalt blue, and the line is more consistent than varied, but they are bold and not too flower-catalog illustrational-feeling. I love the no-warpage, no surprises, no nonsense solution of the kiln shelves.

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